There’s a more than solid chance that you’ve heard of the names J.K. Rowling and Rick Riordan. Or, if you’ve lived under a rock the past two decades, you’ve at least heard of their creations: Harry Potter and Percy Jackson respectively. Bonus if you’ve read both of their series (for Riordan this pertains specifically to his first well known series Percy Jackson and The Olympians) because if you have read them then you’ve probably noticed the three commonalities most of their characters share: straight, white, and cisgender.
The good news? Both authors seem to have realized their mistake. But how they each chose to rectify the situation matters. It’s important to for us as writers, to learn from the reconciliation–to note that the act can sometimes improve the situation, and other times make it worse.
Rowling took to twitter and post publication interviews to provide us with some insight or confirm our suspicions that, most notably Hogwarts had Jewish characters and that Dumbledore is gay. When news first broke, fans were elated that they were being represented in Rowling’s beloved universe. Mass media even cheered and retweeted when Rowling defended Dumbledore’s not-overly-present sexuality in canon because gay people “look like everyone else.”
However, as representation became more common in mass media, Rowling’s post publication edits suddenly became too little, too late. Frustrations from fans seeking representation have now only been heightened as it was recently announced that Dumbledore would not be openly gay in the new Fantastic Beasts: The Crimes of Grindelwald movie.
Riordan, on the other hand, put his pen where his problems were, and made certain no one could claim any of his other books were lacking representation. The spin off series to Percy Jackson and the Olympians—titled The Heroes of Olympus—featured a Latino character, a Creole character, a Chinese-Canadian character, a Native American character, and had one of his most popular characters come out as gay. He would later also add a bisexual point of view character, a Muslim character, and a gender fluid character (to name but a few) to his universe.
The final character even earned Rick Riordan the Stonewall Award, an award that recognizes LGBTQ representation in literature. In his acceptance speech, Riordan acknowledged the inherent problem of giving this award to a straight, white, cis male such as himself, but used his speech as a platform to call other authors to action in addition to promising to work harder in his own writing.
Of course, there are plenty out there who would argue that Riordan isn’t doing that great, that he has jumped the shark, that his first series was the best and he’s only writing representation now for the sake of representation (not totally certain what the problem is there, but whatever). What a lot of people don’t know is that even his first story, the super straight and white one, had its roots in representation. See, Percy Jackson started as a story for his son who, like Percy himself, suffered from ADHD and dyslexia. Riordan wanted his son to know that, even with learning deficiencies, he could be a hero, too.
So writing diverse characters to show kids everywhere that they are strong and capable of doing amazing things? That’s kind of always been Riordan’s modus operandi.
This is not meant as a condemnation of Rowling. Really, Rowling probably wouldn’t have any problems if she simply admitted that her books are products of their time. Harry Potter and the Sorcerer’s Stone, the first of the series, was published in 1997. The final book, Harry Potter and the Deathly Hollows, was published over ten years ago, in 2007. In terms of societal change and the rise of representation, that’s a *long* time ago. Rowling can acknowledge this and, as Riordan did, simply promise to do better and use her notoriety to encourage other authors to do so as well, because if the representation isn’t prevalent in canon, then what good is it doing?
Meet the blogger:
SKYLER KANE is a junior at Hamline University studying Creative Writing. Fully under the belief that living just one life is sad and boring, Skyler has found a home in storytelling. She spends her days collecting books, imagining that one day she might see her name on one.
Sometimes finding time to write is tough, especially if you work full-time, or go to school full-time and work a part-time job too. Finding time while doing that is hard, but imagine when you have a child. Time is nonexistent; your day is full of mommy chores and baby stuff. Sometimes writing can’t fit into your schedule, like mine––I work full-time, I’m a student full-time, and a mommy on top of those two things. Trust me, I know it’s hard squeezing in time to write. I know most people’s advice is, “Have a notebook ready or in arm’s reach when you have an idea or something you need to write down before you lose it!” But that’s not always the case. Sometimes having a notebook and pen in arm’s reach isn’t always the solution, because either you’re too busy doing mom stuff, chores around the house, or just plain busy making sure your child doesn’t get into something they shouldn’t.
Mommies, having a child doesn’t mean you no longer have the time to write like you used to have. When it comes to being by yourself and writing to your heart’s content, it means making sure your little human is taken care of and happy. I’ve learned that being with your child and noticing the smaller things can make a beautiful poem that others can enjoy with you. Here are some examples.
Watch a movie with your child and notice how they’re reacting to the movie, the music, and the characters. Do they pick up any mannerisms from the characters in the movie? If so what is it they are mimicking? Use that to make a poem that embodies that moment. Let us, the readers, live through that moment with you, let us feel what you felt when you noticed this smaller thing that most don’t.
This can be an exercise to help with a poem; it helps you notice small details like body movement, and facial expressions. This should get your creative juices running, if it doesn’t then try this exercise next.
I know all of us listen to music no matter what genre, or where it comes from. I listen to whatever music sparks my attention or gives me a feeling that I need to get down in paper. This can also be linked to the first exercise with movies, depending on the movie––many kids’ movies have fun, upbeat music for our little ones to be entertained and not be jumping around (let’s hope, but not always the case) like my daughter, Rocio, who loves Coco because of the music. If a piece of music or lyrics bring something to life inside you or bring back a memory that’s been itching to get out, use that opportunity to write it no matter how messy or sloppy it can get. It can always be cleaned up. No matter what music you use to write with, even try to write to the beat of the song if you can and make it into a spoken word piece. If you can, experiment with the music and writing you are doing while listening to the song.
I actually use music a lot to write some of my pieces, I find sanctuary when it comes to music. It gets me to a place in my head and heart that helps me write what I need to write––not what I necessarily want to write. Later on I add what I want but first I try to write what needs to be written.
Both options can also buy you some quiet time from your child to write some ideas down (if not a whole piece) because they’ll most likely be too entertained from the movie or music. I’ve been doing this with my child and it’s gotten better now that she’s older; she’s able to be entertained for much longer periods of time than when she was a year old. I hope these exercises and prompts help spark a poem or piece that you’ve been wanting to get on paper!
Meet the blogger:
BLANCA CRESPIN is a recent Hamline BFA graduate now studying in the MFA program there. Her current work centers on being a mother and issues influencing her everyday life. Blanca spends her time working at Avalon School, writing, being with her daughter, and waiting for a new adventure to begin.
I remember when I heard Adventure Time was ending. It felt like an invisible hand was squeezing my heart. I stumbled. My vision became blurry. My left arm began to tingle. Everything smelled like burnt almonds. I woke up in a hospital.
But what do you care? You don’t even like Adventure Time.
Adventure Time is so good that it reminds me that someday I will die. In reminding me of my impending last breath, it makes these brief, liminal moments so sweet. Not many shows can make me appreciate being alive. Alas, deep in the loins of my achy, breaky heart, I knew this gem of gems had to end.
Aspiring storytellers take note! Here are just a few reasons why the show is one-of-a-kind:
Totally Righteous – I say righteous with no pretension behind the word. The goodies never bully the downtrodden but are always up for whooping some baddies. If you aren’t aspiring for righteousness then what are you doing?
For Adults – I’ve heard criticisms that the show couldn’t make up its mind if it was for children or adults. That’s a false appraisal. It is an inner-child’s show. It’s a kid’s show, yes, but any self-respecting adult should love it. If you don’t like Adventure Time then obviously the clammy tentacles of this world have suffocated your inner child. You don’t believe in magic.
It’s Honest – Somehow, throughout it all, Adventure Time has been able to never come off as cynical. Unlike you. It never condescends to the audience. The themes can run deep; you’ll be questioning your identity while the show is making a fart joke. And it never sugarcoats the real talk.
Flippin’ Fantastic Characters – What cartoon has characters with an ever-expanding wardrobe!? Just like their clothes, Adventure Time’s characters can change physically (Finn’s lost his arm how many times?), emotionally, even spiritually. Even the baddies worth their salt can realize their mistaken ways. But I forgot that you fear change.
Chances at Redemption & Room to Mature – Finn and Jake were plagued in the early seasons by their nemesis The Ice King. In the episode “Thank You” Finn becomes aware that the Ice King isn’t really bad, just pathetic. At the very end Finn gives the defeated Ice King a kiss on the forehead. After that episode the Ice King still did annoying stuff that totally annoyed Finn and Jake (and countless princesses) but they treated him like a brother – one you could pick on but defend if need be. I’ll do my best to treat you better, but I still don’t trust you.
Chronology – Adventure Time can be enjoyed in any order. Maybe if you’d stop staring at your phone for eleven minutes you’d know that. No other episodic television show, especially a cartoon, has so many permanent changes happen to its characters, yet a newcomer can sit down and watch three random episodes and be completely on the level. It’s that warm ‘n’ gooey spot between lyric and narrative.
Perfect Length – Adventure Time packs a lot of story into eleven minutes. It’s perfect for our short attention spans. Some episodes feel like five minutes and others feel like twenty-five. Even you should be able to handle that.
Perverse – Let’s face it: there’s a lot of kinky imagery in Adventure Time. Does that make you feel uncomfortable? Hopefully it makes you wonder why you’re so uptight about sexuality anyway. There’re even theories that the show is just one big allegory for discovering sex. Let’s just say Freud would be having a field day watching this show.
Schmowzow – There’s so much play in the language and storytelling. The ability to get away with almost anything in this show is greatly owed to the post-apocalyptic-anything-goes fantasy world Pendleton Ward has created. Some episodes are eerie and linger like a Twilight Zone. Some are touching and gentle. But there’s always humor. There’s so much use of off-the-wall ba-naynay words, if you were just able to appreciate the absurd then it all would all make sense.
So, no offense, I just can’t trust you if you don’t like Adventure Time. We live in a bizarre and overwhelming world, Finn the Human and Jake the Dog – though flawed beings – anchor us with their ultimate goodness. I could go on. I didn’t even get to the songs! Adventure Time has a largesse of lessons on how to make a great all-ages story. The more I watch, the better creator, friend, and person I become. You should really give it a try.
What did I miss? Make a comment and express yourself!
Meet the blogger:
NOAH TILSEN is a current student in the BFA program at Hamline University.
Hi, my name is Lauren and I swear. (Sorry, Mom and Dad.) Does it have something to do with my being a writer? Because come to think of it, I don’t think I’ve ever met a writer who doesn’t swear. As my vocabulary has grown larger, the amount of times I’ve been told swearing is unbecoming has increased. So in defense of writers (and non-writers) who swear, I’ve found a list of science-backed studies that show that occasional profanity won’t hurt you. In fact, if used in a healthy environment, it’s even good for you.
Swearing can help reduce pain
A study done by the School of Psychology at Keele University proved people who swear generally have a higher pain tolerance than those who don’t. Other research has hypothesized that swearing can activate your body’s release of natural, pain-relieving chemicals. However, using swearing as a method of pain relief works best when you swear sparingly, so those of us who drop an f-bomb on a regular basis won’t have as much luck. I’ll tell you, I thought I was being really edgy as an eighth grader when I said cleaning a cut was going to hurt like hell, but because I swore, it didn’t. It just hurt. And that was because I said hell.
Swearing is a sign of intelligence
Those who believe that people swear because they don’t know what else to say are incorrect. In fact, a study done in the United States illustrates that people who swear actually have a higher IQ than those who don’t. This is due to the larger vocabulary people who swear tend to have. If you’re interested in testing this out yourself, get a couple of friends together and have them think of as many words beginning with the letters F, A and S as they can in a minute.
Swearing can give you a sense of calm
In an article in Psychology Today, Neel Burton, a psychiatrist based in Oxford, England, explains that swearing can help increase circulation, elevate endorphins, and bring an overall sense of calm, control and well-being. To quote Elle Woods: “Endorphins make you happy. Happy people don’t kill their husbands. They just don’t.” Therefore, the rush of endorphins you get from swearing can make you happy. When you’re happy…well, let’s just say swearing is a good thing.
People who swear might be more honest
In a society where truth is so highly regarded, this is the point that should sway doubters. According to a study done in collaboration between researchers from Maastricht University, Hong Kong University of Science and Technology, Stanford, and the University of Cambridge, there is a positive relationship between the use of profanity and degree of truthfulness. In short, the more you swear, the more ways you have to express unfiltered feelings and sincerity.
Let’s face it: writing is a hard profession. It’s mentally and physically taxing and—on occasion—painful. After killing off my favorite character in whom I’ve poured my entire heart and soul, I need a pick me up. And since I’m not old enough to drink, I’ll take the next best option and say fuck.
Meet the blogger:
LAUREN STRETAR is a current BFA student at Hamline University. She is primarily a fiction writer, and currently drafting her first novel. When not writing, you’ll find her in the kitchen baking.
Long ago, before the greater patriarchal regime and its correlated ciscentric literary sphere were erected, humanity existed in relative harmony… but that all changed when the gender binary attacked.
Gender—in its entirety, in it’s full spectrum—is especially hard to understand when representation of gender variance is such a rare occurrence in the lit-o-sphere. There’s a reason that textbooks are a staple of academia. You’ve heard the chants from the woke millennials.
While characters who don’t fit within the gender binary never completely disappeared from the lit world, they have been historically few and far between. It was (and continues to be in many spaces) taboo, and therefore talked around rather than explicitly stated or explored.
With social justice in all its forms on the forefront of the collective global consciousness and conversation, there’s been a greater focus on diverse representation. In the iconic words of Bowie, the lit-o-sphere is undergoing some ch-ch-ch-changes and it’s about time we turn and face the strange*.
*it’s part of the lyric, not some subtle derogatory commentary. If nonbinary identities are strange, you should take a cold hard look at the dystopia that is The Gender Binary.
[cracks knuckles] Let’s begin.
1. CRUZ ROJAS from Michael Grant’s Gone series
According to the wiki for the Gone series fandom, Cruz identifies as a female. However I contest that she fits in the binary just because she uses female pronouns. Your honor, I call Monster, the book in which she debuts, to the stand.
On page 28, Cruz describes her gender as “e) all the above, trapped in a True/False quiz”, which is an especially apt analogy. The way it makes labeling your gender seem like some sort of test is all too relatable for those of us who’ve felt boxed in by the binary.
Cruz’s power in the novel is a sort of invisibility/camouflage which has interesting implications in conjunction to her gender identity. Perhaps a commentary on the ways in which non-binary identities have historically been largely invisible in the media/literary sphere. Perhaps a commentary on the occasional necessity of camouflage to ensure one’s safety when one doesn’t conform to (cis)gender norms.
Of course, Cruz’s power (and her company) would be integral in my crime fighting squad.
2. ALEX FIERRO from Rick Riordan’s Gods of Asgard series
Alex Fierro—child of Loki, pottery enthusiast, light of my life.
Alex identifies as genderfluid which is represented gracefully within Riordan’s novels. Alex’s gender shifts as do the pronouns used to talk about the Norse demigod. Sometimes Alex is a daughter of Loki. Sometimes Alex is a son of Loki.
Like Cruz, Alex also has a power. He can shapeshift. Like Cruz, Alex’s power also has interesting implications. Perhaps a commentary on genderfluidity as it relates to shifting senses of self. Perhaps a commentary on our shifting perceptions of people based on how they identify.
What I find interesting is that, when Alex shifts from identifying as male to identifying as female (or vice versa), he doesn’t change his outward appearance. Just her pronoun.
Although the main character, who’s totally (and canonically) crushing on her, seems to pick up some visual changes—he alludes to the fact that the shift is in his perception more than it is in Alex’s actual physical appearance. I dig this because it shows that the physical isn’t inherently an indication of gender as well as a depiction of how one can respectfully perceive and interact with someone outside of the gender binary.
In my crime fighting squad, Alex’s friendship and her shapeshiftery would be revolutionary.
3. SORO FLYNN from V. E. Schwab’s Monsters of Verity series
To be completely honest with you, dear reader, I haven’t yet read Our Savage Song or Our Dark Duet. So I can’t give you specifics on why Soro would make the best comrade in my crime fighting soiree. This being said, I can vouch for V. E. Schwab.
Soro is different from the aforementioned nonbinary characters in that they go by they/them pronouns. When a fan expressed their confusion and dislike surrounding the grammatically sound use of a singular they, Schwab responded in a way that made my queer heart sing.
Schwab addressed this, via twitter, “Soro is non-binary, hence the use of THEY. I’m sorry that it distracted you, but respecting identity is important. Please try harder.”
The majority of V. E. Schwabs books, according to the author, have been a reaction to something she’s read or haven’t been able to find. AKA: She’s all about that representation.
Schwab’s resume of representation in her personal lit-o-sphere is immaculate, her characters are fierce, and I cannot wait to meet Soro in Our Dark Duet (I’ve already purchased both a print and digital copy).
So, there you go!
My crime fighting, non-gender conforming, literary dream-squad.
We’d be a small, but capable group—and we’d always be looking for more members. Who do you think should join the squad? What powers do you think would complement our nonbinary identities? Comment below!
Meet the blogger:
TIJQUA DAIKER lives in Minnesota.