After binge watching the second season of Netflix’s original series GLOW: Gorgeous Ladies of Wrestling, I was so drawn to (and distracted by) these women of the ring that my fan fiction(?) brain, started to imagine who their literary role models might be. I feel compelled to share my list so that we all may find inspiration from the. . . GLOW: Gorgeous Ladies of Writing.
Character: Ruth Wilder
Ruth is so traditional in her way of thinking, but she loves to break the rules. She believes she does everything correct, but is the first to apologize when she does something wrong. For these reasons, I think she would enjoy Jane Austen’s work, focusing on the feminine aspects of 18th century British nobility (not to mention the occasional themes and handling of infidelity).
Character: Debbie Eagan
Debbie is a bull headed woman that isn’t entirely rational. She is hard to negotiate with, a master at getting what she wants, and is prone to making rash decisions to fix temporary problems with permanent solutions. Daphne du Maurier is a romantic novelist I think Debbie would love if for no other reason than her quote, “women want love to be a novel, men a short story.”
Character: Sheila the She-Wolf
Sheila is by far the most mysterious one of the group. Her keen senses and acute relationship with nature makes her a character of curiosity and very memorable. Victorian era writer George Eliot is a great writer that seems to reflect similar characteristics: a nature enthusiast, feels as if she is one with animals, and is just trying to teach her readers self understanding.
Character: Tamme Dawson
Despite her controversal wrestling character, Tamme is a woman with lots of love to give. She recognizes the flaws her character depicts but decides to own it rather than let it own her. As a single mother trying to raise her son to stand up for what he believes in, I think she would recommend Maya Angelou.
Character: Melanie Rosen
Party girl Melanie is very outgoing and ready for anything. Her open sexuality and feminist point of view makes her a very personable character and relatable to many viewers. Her sarcasm and sense of humor are very similar to that of Erica Jong, who pushed the boundaries of modern feminism back in the 70s with her novel Fear of Flying.
So yes, by all means, watch the show; it’s fun. But then consider picking up a book by one or two of these characters’ writing doppelgängers; the bad ass women of writing.
Meet the blogger:
ALEXA CALLIGURI recently graduated from Hamline University. She won Hamline’s Broadside Award for CNF in Spring 2018. She lives in Lonsdale, Minnesota, where she is made fun of for taking things out of the trash and putting them in the recycling bin.
Unfortunately, we’ve all been there. You want to write, draw, put together a collage, compose your next symphony—but nothing comes out. The inspiration is there, the excitement, the drive, but the idea well has run dry and your bucket is just coming up with a whole bunch of dust. It sucks.
Fortunately, we’ve all been there. Plenty of other people before you have had to figure out how to work in spite of this exact problem, and in the information age we live in, it’s easier than ever to find a solution. Personally, I’ve got three go-to methods to generate ideas:
#1: The List of Cool Stuff
Last semester, I was lucky enough to be in a class that brought in fantasy novelist Steven Brust as a guest speaker. He was witty, frank, and full of good advice for beginning writers like myself. His Cool Stuff Theory of Literature is the thing from that lecture that stuck with me the most: I hadn’t realized yet that I was allowed to write about stuff that I found cool just because I found it cool.
Taking that theory to heart, I made a numbered list over this past summer when I was feeling equal parts creative and frustrated. It started as tropes and scenes in the novels that I liked, to try to figure out how to make my own writing that cool. It evolved past that, though—items on the list got less and less specific, had less and less to do with literature, and became a general list of things that I liked. It is now 82 items long and counting, ranging from “Making friends with things you should not be friends with” and “Prophecies that may or may not be self-fulfilling” to “Moss” and “A well-worn leather jacket”. I try to add something new whenever I think of the list.
This is where the idea generation part comes in: when inspiration strikes but my brain remains unresponsive, I find a random number generator and ask it for anywhere from 3-7 numbers. I go to my list, look at those items, and figure out a way that they would fit together in a coherent plot. Sometimes it works, sometimes it doesn’t, but it always makes me think and kickstarts the creative part of my brain.
This also works wonderfully as a game if you’ve got writer friends; get your 5ish numbers, set a timer for 15 minutes, and say go. Everyone writes something, scene or outline, that has to use all of the items on the list. Sharing the outlandish ideas that you put together in 15 minutes is bound to make you laugh, and some of the things you come up with might actually be worth a second look. Bonus points for creativity!
#2: Daydreaming with a Soundtrack
Soundtracks are instrumental to a good moviegoing experience (pun intended), so why not try to add that to your writing? Original scores are meant to enhance the emotion of a scene, so the music is a story of its own. Put on the score for your favorite movie or video game and close your eyes for a minute. Imagine what kind of scene would go with the song you’re listening to. Get to writing it as quick as you can, even if it’s just describing an image or a landscape. Let the music dictate what you write. If you don’t like what you come up with for the first song, put the album on shuffle and try again, or find a different album. If you do this enough, you’ll have several little scene starters—maybe one of them will grab your attention.
If you don’t know enough about movie or video game scores to know where to start, here are a few of my favorites. If you’re like me and pay a lot of attention to soundtracks in the movies you like, you might want to choose a score from something unfamiliar for this activity, or else you’ll hear the first notes of Aunt Marge’s Waltz from Harry Potter and the Prisoner of Azkaban and all you’ll be able to think of is that story. If that’s the case, you could also do this with instrumental music that isn’t a soundtrack—here are some suggestions for you if you want to go down that path. Good luck and happy listening.
#3: When In Doubt, Prompts
We all know about this one. There are thousands of blogs and sites where you can find or generate writing prompts online, and those are just as viable as coming up with your own ideas—anything that gets you writing works. There’s bound to be a page dedicated to posting writing prompts on your preferred form of social media, be that twitter or facebook or instagram or tumblr or something different. Follow those pages, look through the prompts, find something that grabs your attention. There’s bound to be at least one that interests you. Take the idea and run with it.
Have any fun methods that I missed? Suggestions for other struggling writers? Feel free to share with us in the comments below.
Meet the blogger:
MEGYN JOHANSON is a creative writing major at Hamline University. In addition to reading, she likes studying languages, playing tabletop games, and asking offbeat questions. She wants to know what color your legs would be if they had to be a different color than the rest of your body.
They Can’t Kill Us Until They Kill Us
Reviewed by LAUREN STRETAR
For a collection centered around the anger, violence, and death in America, each essay in They Can’t Kill Us Until They Kill Us is profoundly focused on life. In this poignant and timely work, Abdurraqib uses music and culture as a lens to view the chaotic landscape of the country. With essays ranging from Carly Rae Jepson and the spectacle of emotion to the way kindness is ascribed to black culture, each subject is a gateway into exploring themes that have long divided this country: race, religion, and what it truly means to be an American.
Structured around the night Marvin Gaye sang the National Anthem at the NBA All-Star Game in 1983 and the July 3rd fireworks in Columbus, Ohio, each section of essays is astute, provocative and emotional. His writing ranges from rants to personal anecdotes about being a black Muslim in a country that celebrates whiteness, a powerful combination that has the potential to shake the nation to its core. In simple terms, it will break readers’ hearts before building them back up with the knowledge they are still living.
With a tone that is both conversational and critical, Abdurraqib’s essays invite each reader into his world. Readers are with him as he shoots baskets to a crowd of none, with him as he enjoys a concert, with him as he later learns that while he was living, Trayvon Martin was killed for wearing a hood. His background in poetry aids him in crafting strong, effective prose that weaves together lyrics, history, and cultural significance that is impossible to ignore.
“By the time Marvin gets to ‘…bombs bursting in air…,’ you can see his hands finally stop shaking. A rhythmic clap begins from the audience. I watch fireworks in July 2013. Two weeks later, George Zimmerman walks free and Trayvon Martin is still dead.” (120)
The very nature of Abdurraqib’s prose is soothing and provocative. His mastery over first and last lines makes them hard to be forgotten. They demand attention and thought, and the time spent reflecting on them is not undeserved. The middle, while occasionally falling flat for those who don’t intimately know the subject of the essay, is tied together with each cutting final line.
While readers who don’t know Lil Boosie from Webbie, or can’t distinguish the members of Fleetwood Mac may be disoriented during parts of the collection, Abdurraqib’s specificity arms him with an exquisite command that demands trust. It’s hard not to trust his recollections when he always treats his subjects as human first and uses intimate details of their life. The readers might not know who they are, but he does, and that feels like enough.
As a whole, They Can’t Kill Us Until They Kill Us is a journey through 2016. It’s about the deaths that shattered the country. It’s about the communities that rose up against the violence. It’s about learning how to once again be uncomfortable.
It is about learning to see the fireworks in a landscape buried in bullets.
Meet the blogger:
Lauren Stretar is a current BFA student at Hamline University. She is primarily a fiction writer, and currently drafting her first novel. When not writing, you’ll find her in the kitchen baking.
As young lovers of books, we are well familiar with the wonderful and intriguing world of fiction. We fondly remember when we first fell in love with reading— whether it be inside the magical worlds of Harry Potter, Narnia, or Lord of the Rings and imagining ourselves as Harry seeing Hogwarts for the first time or as Lucy stepping through the wardrobe into an icy magical forest. We all have our favorite books, series, movie, or tv show that bring us into these made-up realities. For many of us, that’s all we know.
Perhaps your first introduction to nonfiction wasn’t that great. For me, I remember being forced to read a lot of biographies of dead people in school. I didn’t mind, but they weren’t as mentally or emotionally stimulating as fiction. They didn’t bring me into their world like fiction did.
In the past couple of years, I have noticed that I have been struggling to read. Gone were the days I could read a full, 300 page novel in a day. I had a harder time getting into books or keeping my short-attention-span brain interested. I had blamed it on the Internet. The constant scrolling and quick clicks of information. I had also spent a lot of time on Wattpad (a platform for young writers to share their work) before this period of literary deprivation, which I believe led to my hypercriticism of YA fiction and my boredom of the genre.
So what did I do? I tried getting off social media, tried reading more experienced writers such as Stephen King, George R. R. Martin or Anthony Doerr. While I did like many of the works by King or Martin, it still didn’t get me over the feeling of being in a reading rut.
It wasn’t until I discovered a world of other genres outside of fiction did I feel excited about reading again.
For me, I believe the Human of New York’s Facebook page was the first nonfiction thing I subscribed to. I love reading the short stories about people’s lives around the world every week, and like me, you might have not realized that HONY is a form of nonfiction. You might have already been reading nonfiction without even realizing it.
This leads me to my next point. Start small. For those of us readers with short attention spans, trying out short pieces is crucial. There’s nothing worse than buying an entire book and having to put it down half-way because you hate it.
Next, came The Sun Magazine. Like HONY, it focuses on stories that focus on the human experience. It has fiction, nonfiction, and poetry, with shorter and longer pieces. I remember stumbling into the nonfiction section and feeling like I never wanted to leave. I hadn’t felt that feeling in a long time.
I recently discovered another online journal called Brevity, which has super short nonfiction pieces of under 750 words. My short-attention-span brain really liked that one, plus much of the writing was phenomenal.
The point is, the world is big and so much out there to discover. Especially with reading. Creative non-fiction is being constantly reinvented as we speak. People all over the world are experimenting with the form to share pieces of themselves, and it’s exciting seeing how they are expanding the genre.
Reading is about discovery. It is about being introduced to thoughts, ideas or realities outside our own that makes it amazing which is why trying out other genres is so important. I still love fiction, and will always be looking for fiction to read; however, I think it’s time for me to move on and find other things I like.
P.S. The Runestone Journal has great pieces of nonfiction, fiction, and poetry! If you generally are a reader of only one of the genres, seriously consider reading the others. This will be a great opportunity for experimentation.
Meet the blogger:
Alyxandra Sego is a student at Hamline University studying creative writing. She lives in St. Paul, Minnesota with her husband Taylor and her dying plants.
With Mickey Mouse’s 90th birthday come and gone, we are invited to wonder at the longevity of Disney’s vast kingdom—and I’m not just talking about Disneyland. Disney has built a vast amount of its empire upon bringing adaptations of fairy tales to the big screen, which in itself isn’t anything new.
What perhaps is most intriguing about the Disney company isn’t their adaptations of fairy tales into musicals but rather their live-action remakes of their own animated films. These live-action films exists in an entirely new plane of adaptation that says something about how our current society seems okay with consuming remixed media, for it is important to note that, unlike remakes of shows like “She-Ra” and “Voltron” that adapt much older work of different creators and companies, Disney is remixing and remaking their own work.
In a way, Disney is “updating” their movies with new musical numbers, plot points that have been revised/muddled, and witty ideologies only found in this generation. By doing this, Disney is enabling a strange meta conversation between their movies, the old and the new films. While the reactions of consumers to these movies range from groans to sheer delight, we are still absolutely eating them up.
Surprise, surprise, humans have always had a strong desire to remix what we know with what we love. This isn’t necessarily a bad thing. We love incorporating our own twists into old media, giving different scenarios our own unique perspectives and growing to love those old medias even more in turn. Italian painters of the renaissances painted scenes from greek myths translated by a Roman poet. Frankenstein’s monster and Dracula are pop icons that arguably have lives outside of their respective novels they call home. Artists like Fall Out Boy and Beyoncé will produce covers of other, often older songs they grew up with and adore.
Disney’s producers are simply recognizing this desire and are taking safe production bets by re-making their old films in attempts to cash in on their audience’s nostalgia, the latter of which has been well explored in Lindsay Ellis’s video essay “That Time Disney Remade Beauty and the Beast”.
Despite this, there is still love put into the production, into the writing, into the acting, into nearly every part of these movies. Whether the driving factor for creating these films is money, love, or a mix of both, it cannot be denied that Disney is inviting us to take a step into the castle of nostalgia where the walls crumble with age and revisit what we grew up loving with a different perspective in mind.
Nor are they the only ones with keys to the castle. As an exercise, try revisiting your own work from either your early childhood, from last year, or a time in between. Take a look at work you thought you’d never look at again. Find what inspires you about it, shape that inspiration with what you know and think now, and see if you can’t cast the work into something entirely new; all the while still capturing the pride and joy you know that piece gave you when you first wrote it. I think you’ll be pleasantly surprised with what you find.
Meet the blogger:
KIERNN ELLIOTT lives and works in the Twin Cities. Her work has been published in The Fulcrum.