Perfect Songs For Those Nice Moments in Every Book
Have you ever read a scene from a book, and instantly knew what the perfect background song would be? Have you ever watched a scene from a television show or movie, and the background music helped strengthen the emotions you were already experiencing? Here are a few songs that can perfectly describe those nice moments in every book:
- When Two Vampires Finally Admit Their Feelings For Each Other
Song: “False God” by Taylor Swift
“But we might just get away with it/ Religion’s in your lips/ Even if it’s a false god/ We’d still worship/ We might just get away with it/ The altar is my hips/ Even if it’s a false god”
Taylor Swift has been known for her ability to write heart-wrenching lyrics and catchy melodies, and her song “False God” perfectly encapsulates the feeling of two sexy, ancient supernatural beings falling in love after thousands of years of being in solitude.
Book To Read: Vampire Academy by Richelle Mead
- When the Hero Finally Faces off Against the Supervillain
Song: “Last of the Real Ones” by Fall Out Boy
“’Cause you’re the last of a dying breed/ Write our names in the wet concrete/ I wonder if your therapist knows everything about me/ I’m here in search of your glory.”
With narrative lyrics set against energizing pop-rock instrumentals, “Last of the Real Ones” by Fall Out Boy is the perfect song to make an epic final battle even more exciting.
Book To Read: Throne of Glass by Sarah J. Maas
- When The Protagonist Finally Gets Over Their Ex
Song: “Over You” by HOLYCHILD
“Come on, girl, your life just started/ Don’t waste time so brokenhearted/ If it’s done then he’s not the one (he’s not the one)/ Once upon a time you parted/ Soon you’ll know the ancient garden/ You’re a flower, you are the sun”
The lyrics of “Over You” mixed with the cheerful and upbeat instrumentals describe exactly what it feels like to get over an ex, while trying to be happy and carefree at the same time.
Book to Read: History is all You Left Me by Adam Silvera
Do you have a go to song that you listen to while you read? What about a playlist? Let us know in the comments below!
Meet the blogger:
KIRA PAUL is a senior at Hamline University majoring in Creative Writing with a minor in English and Criminology. When they’re not doing homework, you can find them nose-deep in YA Fiction or catching up on gaming streams on Twitch.
Podcasts have become an extremely popular source of entertainment over the last few years, and they don’t seem to be going anywhere anytime soon. Busy writers rejoice! Podcasts, like audio books, are an excellent way to hear the words of writers all over the world while working, exercising, or just during your daily commute. Plus, many podcasts are produced by independent artists, meaning just listening and dropping a review can be a big deal for these content creators.
To get into the spirit (pun intended) of the Halloween season, here is a list of four of the spookiest, creepiest, spine-chilling-est podcasts produced in a storytelling format.
Written, recorded, and produced by the one and only Aaron Mahnke, Lore is a twice-monthly podcast featuring historical stories with a dark twist. From lake monsters, to UFOs, to specters and the Spiritualism movement, if it’s creepy, chances are Lore has featured it. With a backlog of over 150 episodes, there’s more than enough content to get you through October. Each episode clocks in at about 30 minutes on average, and features Aaron’s soothing voice along with a pleasantly spooky soundtrack.
If you’ve already listened and you’re hungry for more, Lore is also a book series, as well as a TV series with two seasons on Amazon Prime. In addition, Aaron Mahnke’s audio production company Grim & Mild has a host of other podcasts made in the same vein as Lore, such as American Shadows, Noble Blood, and the bite-sized version of Lore, Aaron Mahnke’s Cabinet of Curiosities. Check out Lore and all the other Grim & Mild shows at the production company’s website.
Must-Listen Lore Episodes:
- Snap Judgement Presents: Spooked
This haunting podcast is especially exciting because it features stories from listeners of the podcast all over the world. Hosted by Glynn Washington, each episode of Spooked features one or two real-life tales about the supernatural, as well as the occasional creepy anecdote from silky-voiced host Glynn to set the tone. Spooked stands out in this list as the only podcast told by more than one voice, which guarantees that each episode will be a unique experience.
Featuring tales of demonic possession, haunted homes, and ghostly apparitions, it’s impossible to forget that all stories are purported to be 100% true. Backed by a track of spine-chilling original scores, Spooked is definitely a show you’ll want to listen to with the lights on! You can check out Spooked and all five of its seasons on the WNYC Studios website.
Must-Listen Spooked Episodes:
Graveyards, churches, and hospitals – oh my! Haunted Places takes us to all of the most (surprise) haunted places around the world through multiple modes of storytelling, including a rundown of the location’s history, as well as original third- and first-person tales, all told by host Greg Polcyn. Each episode delves deep down into the dark places that inhabit our world, accompanied by the ambient sounds of wind and owls hooting, as well as unique music in every installment.
There are over 170 episodes so far, with the show having started in 2017, and no indication that it will be stopping anytime soon. In addition, Haunted Places offers episodes of a bonus series, Urban Legends, released on Spotify for free every Thursday. With featured tales such as Bloody Mary, the Goatman, and Slenderman, this sister series is also a must-listen. Check out Haunted Places on the Parcast website.
Must-Listen Haunted Places Episodes:
Unique to this list, Limetown is the only podcast told completely as a story. It’s a horror mockumentary brought to the radio, and the first season is spectacular (the jury’s still out on the second season; some people love it, others loathe it). Fictional journalist Lia Haddock reports on the city of Limetown, a small town in Tennessee where over 300 men, women, and children mysteriously disappeared practically overnight, never to be heard from again. Until now (cue spooky music).
Limetown is a binge-worthy series, with the first season containing 6 hour-long episodes as well as short mini updates which add to the feeling that this tale is real. The story is immersive, interesting, and brilliantly told, and will leave you hungering for more of the Limetown mystery after finishing each episode. Listen now at the Two-Up website.
Must-Listen Limetown Episodes:
All of them! Limetown is a story told consecutively, so make sure to start with Episode 1!
Meet the blogger:
MADELEINE WICK is a senior at Hamline University, working on her BFA in creative writing. She’s an aspiring podcaster and writer, and unsurprisingly, likes to write about podcasts.
No matter how prolific a writer you are, we all run into moments where we need a little extra inspiration.
Here are some tips on how to use your own photographs to inspire all elements of storytelling, from mood to setting to character and beyond. There are plenty of articles about how to find inspiration for your writing and look outside yourself, but using your own photos as a reference is a unique way to find inspiration inside yourself while still removing yourself from the piece of writing at hand. I know this is certainly a method that has helped me a great many times.
- Write the true story of the photo, the details of the moment(s) preceding or following. Or, perhaps a close look and write a description of the elements in the frame.
- If you had to use one word to describe the photo, what would it be? Use that word as the theme for a story.
- Zoom in close on parts of the photo or crop sections as small or large as you like. Don’t be afraid to cut to random sections, don’t overthink it. How does the energy of these sections of the photograph differ from the original photograph? Write a character that has the same emotional presence as each of the cropped or zoomed sections, then write them into the scene of the original photograph.
- Write a character into the scene. You were there for the photo, you took it, or maybe you’re even in it. How might you imagine another character would have behaved in that moment?
- Zoom out: you know what’s happening in the frame, now tell us what’s happening around it? What can’t we see? What terrors or joys lie just outside this glimpse into a moment in time?
Have any ideas of your own? Share them in the comments below to help keep your fellow writers inspired.
NOAH TOPLIFF is an undergraduate student at Hamline University in the final year of completing his BFA in Creative Writing. He spends his time outside of his studies writing and recording music and spending time with his dog and girlfriend.
“…most of the books I have written and those I minted to write originate from the thought that it will be impossible for me to write a book of that kind: when I have convinced myself that such a book is completely beyond my capacities of temperament or skill, I sit down and start writing it.”
What is it that gets you to read? What is it that stops your mind from nodding off to another online post, and instead grabs your attention, forcing your mind to fixate on something utterly, inexplicably strange? What is it that gives you pause—makes you ponder the world—and gives you a deeper understanding of what it means to be a person?
It is not the familiar that sets our minds abuzz with new ideas. The creation of the new is left to the strange. The weird and wacky elements of writing that make us pause to think about things in a new perspective. That is where we can draw inspiration from. And that is what I wish to help understand today.
For me as a fiction writer, it has always been the strange that attracts me. From fanciful imagery of cities put forth in Italo Calvino’s Invisible Cities, to the more subdued sci-fi of Ray Bradbury’s All Summer in a Day, there has always been something that is just so utterly fascinating about a piece that throws convention out the window in an effort to stretch the authors creativity to its limit. It is the ability to embrace what has never been done before that sets truly great writers apart from their contemporaries. Because we as humans always crave something new to mull our minds over.
So this is the question that we face as undergraduates writers, and writers in general: how the hell are we supposed to write something new?
My advice? Write the impossible.
Sounds pretty easy, right? Actually, it is. You see, when it comes to the term ‘impossible’, the definition is actually already set in stone. Based on the Merriam-Webster dictionary, something is impossible if it is either:
- Incapable of being or of occurring, or
- Felt to be incapable of being done, attained, or fulfilled: insuperably difficult.
So all we must do is write something that cannot occur. It can be something as silly as a banana suddenly appearing in front of us out of thin air, or a goat somehow wandering onto a space shuttle and being blasted to mars, or as serious as world peace or total annihilation. All we must do is think of something that is incredibly unlikely to occur, write it down, and bam: we have written the impossible. Created, through our own hands, something that is completely and entirely new in this world.
Sounds easy, right? Well, it might not always be so.
It’s an unfortunate reality of the mind that we can become utterly stuck on what we already know. Corner ourselves with facts and logic that dictate that we write a certain way, express the same ideas, and generally create nothing of value. And even if we do end up creating something new, or having some grand idea, we may become stuck along the way of writing that idea out onto a page, or somehow be incapable of making an engaging story about what we have to offer. What should be done in such situations? What should we do when we become ‘stuck’?
I’ve been in such a situation many times before, and apart from just taking a break to clear my mind of the writing process, the most effective thing I have ever done is to ask myself a question. And that question is this:
What if my main character doesn’t succeed? What if the task is impossible? What if gravity suddenly gave way and we found ourselves floating in the inky blackness of space? What if the sun didn’t come up tomorrow, as it has every other day? What if this happened, or this happened, or this or this or this or this or…
And then my mind is free. So if you ever want to take a stab at writing something wonderfully and truly bizarre, I suggest that you try to write something that is completely impossible and roll from there. And if you ever get stuck, I suggest you start asking yourself “What if” questions to get yourself unstuck. There is no theoretical limit on creation or creativity, and it would be an utter bore if we only ever retread paths that have already been walked upon. So get out there and write something weird, bizarre, and completely impossible.
Meet the blogger:
BLAKE BUTENHOFF is a thoroughly odd individual. He is supposedly a Senior of Hamline University’s Undergraduate Creative Writing Program, but no one knows quite exactly how he got into such a position. He enjoys strange works of fiction, hiding out in the quiet corners of rooms, and ketchup on his macaroni.
Oral storytelling has existed for as long as humans have been able to use language.
Every story told has a foundation that was built on stories told before it, starting at the beginning, in the tellings of ancient myths. The mythic structures utilized by storytellers have become the veins that run through and power all other stories.
One popular mythic structure is the hero’s journey. There is something special about being able to sit back and listen to a masterfully woven tale full of heroes and their adventures. As technology continues to evolve, there has been a return to oral storytelling, but in a new genre: Podcasts.
I was first introduced to the McElroy brothers in the summer of 2019. I was going to be playing Dungeons and Dragons for the first time ever, and my partner thought The Adventure Zone: Balance, a podcast run by three brothers wherein they run a comedy style DnD campaign with their dad, would be a perfect segue into the world of table-top roleplaying games.
The McElroy family immediately captured me. The brothers, Justin, Travis, and Griffin, and their father Clint, were hilarious and heartwarmingly charming. More than just a play-by-play tutorial on how to, as the brother’s call it, “Dungeon and Dragon”, it was something new.
The podcast, while focusing on the comedy already ensuing from typical DnD roleplaying, also employs an episodic narrative that blends high-fantasy storytelling with RPG gameplay. I was previously unfamiliar with both elements.
The storytelling element was elevated, as the family played out the adventure for the listeners. This wasn’t some static thing, it wasn’t a book or a memorized tale, this was action and reaction, and it was all neatly recorded and edited into an hour-long podcast.
The brothers run many different podcasts, but this one was special. It was as if the characters of a book had come to life and were performing for me, and all I had to do was chillax and listen.
Griffin, as the Game Master, prepared for his family and listeners a deluxe experience. As Justin, Travis, and Clint played their characters, Taako the wizard, Magnus the fighter, and Merle the cleric, they began unraveling the story that Griffin had crafted. The story takes place in a world out of time, where three goofs and their pals are all that stand between the life and bonds they created in their chosen home and total evil’s annihilation of the whole universe.
Over eight ‘arcs’, the boys go on myriad adventures, full of hilarious quips and shenanigans. Taako’s my personal favorite, as a flamboyant wizard who at one point, goes on a date with Death.
The Adventure Zone’s first arc was adapted into a graphic novel, The Adventure Zone: Here There Be Gerblins in 2018, and they have since released two other graphic novels that cover arcs 2 and 3, with another book covering the 4th arc on the way.
One of the most powerful things about the way in which the McElroy’s tell their story, is the fluidity and movement involved in the literal playing. As the GM, Griffin creates a base adventure, but the way the in-game story moves is wholly up to both the players and the actions they choose to make, and the chance involved in the rolling of the dice. The story makes itself as multiple different voices provide input, and the dice gods decide the character’s fates.
Another powerful attribute to this brand of storytelling is the defiance of genre. A DnD game is typically pictured as a group of friends playing around tables in basements or abandoned farmhouses, while eating salty snacks and drinking energy drinks. While DnD has always prioritized storytelling as its core element, with multiple books and videogames being created from its lore, this new adventure into a wildly broadcasted digital storytelling medium is a fantastic way to incorporate imaginative play back into creativity.
It is a reminder to all creatives to follow their gut and make weird things that push the conversation forward. What are your favorite works that defy genre? Let me know below!
Meet the blogger:
JESSICA ZICK (they/she) is a poet, essayist, and libra. They hold an AFA in creative writing from Normandale Community College, and they are currently pursuing their BFA in creative writing from Hamline University. They live in Northfield, Minnesota, the town that always smells like cereal, with their partner and two cats, Huckleberry and Valerie.