How to Write in Harmony With a Tree, by Katie Flint

How to Write in Harmony With a Tree, by Katie Flint

Every book you pick up is a tree. Every page you write on is also a tree. Your desk was once a tree. Your door was one too. If you need to breathe, and feel sunlight, if you can’t or don’t want to write anywhere human-made, why not go back to the source material.


When you get a tattoo on your skin, you get to pick what goes there. You decide how big it is, how colorful, what it means. Trees never get that chance. They never decide what tale is etched on their skin. It isn’t because trees can’t talk, spin wild tales, dictate their memoirs, yell, scream, or cry.  

No. In fact, trees do talk. They tell their stories in every gust of wind through their branches, every felled limb, every fallen leaf.

People just don’t take the time to listen.

So if you want to get out of your room, write something new, and hear a story, never before told, stand up. Walk outside. Are you out the door? Can you see the sky and the sun, most importantly the trees? Yes? Great!

Ok, step two. Find a tree. This may be very difficult or very easy depending on where you live. Make sure it’s an old tree. If you can wrap your arms around it and touch your fingertips, find a new one. Young trees need a bit more time to find their voice.

Have you found an old wide tree?

Yeah? Cool, now if the tree has branches low enough to climb, go ahead, get up as far as you can. Don’t forget a notebook and a writing utensil. I wouldn’t recommend bringing your laptop up a tree; that’s just a recipe for disaster.

If your tree doesn’t have low enough branches or if the city has cut them all off, it’s ok. Well, it’s not. Make sure to touch each scar and think about that severed limb for a moment. Then, sit down in the grass under the tree; you can use the trunk as a backrest if you want.

Remember, if you’re on the ground or up in the tree, be respectful. Don’t pick at the bark, or pull leaves and branches off willy nilly. No one sits on your head and plucks individual hairs out when they get bored. So don’t do it to your fellow storyteller.

Once you’re situated, start writing. Continue something old or start something new. The tree isn’t going to tell you exactly what to write. No, but it will guide you. You just have to pay attention.

Once you get about half a page written, start listening. If a couple of birds fly into your tree and start singing a song bring a new character into your story. If a squirrel comes across your tree, start a new scene, even if you’re not done with the last one. If wind shakes the tree for more than thirty seconds, change up your style, switch perspectives, or add a new genre to your writing.

If a spider or insect crawls its way across your page, don’t freak out or brush it off. Wait. See where it goes, which words and phrases it darts across, erase them, leave the spaces blank.

If a leaf falls on you, write an entire page of setting description.

If an acorn, fruit, or a pine cone falls on you or your notebook, immediately start writing in a different language. If you don’t know another language, either make up a new one, or keep writing in the first language, but backward, or in code.

If another falls on you, switch back.

When the sun starts to set, it’s time to go. Trees like to go to sleep with the sun, and they can’t slumber with you lounging in their branches or leaning against their side like that. Carefully make your way out of the tree, or simply stand up if you are already on the ground.

If your tree has scars, gently caress each one. Give the tree a hug, or if you don’t feel you know them well enough yet, pat their trunk gently. Then go home, or wherever else you go when the sun’s down. If you didn’t finish your story, or just want to hang out with the tree again, come back the next day. The tree might finish the story or start a new tale.

Meet the blogger:
KATIE FLINT is a senior at Hamline Universty, pursuing a BFA in Creative Writing. Her work can be found in The Fulcrum, and Sensicality. She loves writing fiction and poetry and enjoys exploring different genres. She adores dogs and almost every other creature on the planet except mosquitos. She can usually be found on the floor binge watching Netflix while her puppies snooze on the couch.

Three Tarot-Inspired Writing Exercises For The Eso-Curious Writer, by Halee Kirkwood

Three Tarot-Inspired Writing Exercises For The Eso-Curious Writer, by Halee Kirkwood

Tarot is often thought of as a vessel for future-telling, though this limits the possibility of tarot reading. The tarot offers an abundance of potential writing exercises for anyone—you needn’t be a high priestess, brooding hermit, or occult enthusiast of W.B. Yeats proportions to begin a tarot practice for creative inspiration and organization.

Ritual, magic, and intuition have become hot topics in the literary world. Jessa Crispin’s book The Creative Tarot: A Modern Guide To An Inspired Life details lessons artists can learn from the cards. Writers the likes of Michelle Tea (author of the queer-coming-of-age memoir Valencia) have even penned their own tarot handbooks.

“The Tarot is an ancient story system,” Tea writes, “a pack of cards that tell a multitude of tales depending on the ways in which they’re placed alongside on another.”

Still not confident in your ability to join in the fun? You can find free tarot reading resources on websites like Biddy Tarot that can help you begin your journey.  

As the literary tarot community continues to grow, let’s join in and try our hand at tarot-inspired creative writing exercises. These exercises are meant to be adaptable to all genres of writing, though you may feel free to adapt them to your writing style as needed.

(These exercises will require a tarot deck—if one is inaccessible to you, my creative challenge is to create your own—either alone or even as a collaboration!)

  1. Oracular Persona

Draw a single card from your deck. If the drawn card depicts a human, free write a character description based on who is depicted. What are they doing, and why are they doing it? Where did they get the clothes they’re wearing? What troubles and joys live behind them now, and do they know where they’re going next? What secrets do they keep? Where are they kept?

If the card does not include a humanoid figure and simply an object or structure, challenge yourself to decipher the object’s motives and personality as well.

Write a 10 item list, then write a page of action centering your new character. Poets, write a persona poem based on your card.

Research and reflect on the meaning of the chosen card. Are there emotional or symbolic significances you could incorporate in the next draft?

  1.  Self-Portrait in Tableau

Draw a card from the deck. Observe the depicted landscape, environment, or architecture. What’s in the foreground, the background? What gathers in corners, what clouds gather at the horizon? Does the landscape imbue you with openness or claustrophobia? What colors are prominent?

Next, write yourself into the landscape. Do you have a feeling of belonging or alienation? Why are you there? Are you safe? What have you explored, and what is new to you? Have you been someplace like this before? In real life or in a dream? Use this free write to jumpstart a scene, essay, or poem.

  1. Querent and Creator

The literary magazine Winter Tangerine included this exercise for their 2018 National Poetry Month exercises—write a poem where you create a new tarot card. This is a terrific exercise for those who don’t yet have a deck.

Further questions to consider for this exercise—what rituals are important to the card, and how did you come to learn them? What ancestral knowledge informs the card? Why do you choose these certain colors? What happens when the card is drawn reversed? Is the card a call to action or quiet reflection?

Bonus twist: write an imagining of this card being drawn for someone once important in your life who is now absent.

Tarot-curious after this post, but don’t have a deck of your own yet? There are as many tarot decks as there are sub-genres of literature. Check out the autonomic deck, accompanied by the creator’s experimental novella and tarot handbook To Run Wild With It. Take your time to find the deck that’s right for you. What speaks to your own experience and writing?

For further divination inspiration, check out Little Red Tarot for more ways to incorporate tarot reading into your daily life and practices.

Happy reading!

Meet the blogger:
HALEE KIRKWOOD is pursuing an MFA at Hamline University in Saint Paul, Minnesota, and is a descendant of the Fond du Lac Band of Lake Superior Ojibwe. Their work has been published or is forthcoming in Muzzle Magazine, Cream City Review, Midwest Gothic, and others. Kirkwood is current associate editor for Runestone and was selected as a teaching fellow for the 2019 Desert Nights, Rising Stars writing conference at Arizona State University.

IRL By Tommy Pico, Reviewed By Kaitlin Hatman

IRL By Tommy Pico, Reviewed By Kaitlin Hatman


Tommy Pico

Birds, LLC

September 2016

ISBN 978-0-9914298-6-8



Tommy Pico’s IRL reads like a fragmented blog post educating its readers on the intricate interweaving of social media, race, sexuality, and mental illness.  It’s a book I would recommend to anyone who spends a large portion of their day online, on their phone, texting, checking Twitter or Facebook, scrolling through Tumblr, etc.

The statements that Pico makes in IRL are as varied and diverse as the content he presents within it.  The reader follows Teebs, a hopeless romantic writer whose most desired lover, the enigmatic Muse, seems to be forever just out of reach.  This doesn’t stop Teebs from pursuing other relationships though – he’s got a long list of exes complete with nicknames. Alongside the romance, Teebs also struggles with homophobia on the streets of New York, the loss of his culture and language, as well as mental illness and, of course, his writing.

Within IRL, Pico demonstrates an understanding of internet and social media culture and slang that few who write about internet and social media culture are ever able to actually demonstrate.  Sure, there is perhaps one or two slightly cringe-y out of date terms thrown into IRL (yes, PWN is one of them), but by and large they are easy to ignore and can be read ironically.

Pico speaks a language that most social media frequenters will understand, and uses that language artfully and with no small amount of wit:


keeps repeating on me

me me me me me me

me me me me me me

meme meme meme”

IRL demonstrates an ability to grasp and wield the proverbial sword of modern age depression humor, something which is very rarely found outside of social media platforms, let alone in a book of published poetry.  In a single line, Pico manages to capture both the destructive nature of depression and insecurity, as well as the morbid comedy that arises from living with it:


last thought before

the gutting panic, before

the sure icy blackness:

I am a garbage

artist Which is my default

well for light banter tbqh

but I’m trying this new

thing called ‘Don’t be so


Pico uses a similar, and just as effective tactic when taking on issues of race and cultural appropriation:

“TBQH I’m so freakin tired

Of hearin abt everyone’s maybe

Cherokee great grandma

like, it’s past my bedtime.”

Pico’s humor is sharp and resonating and at the same time it speaks truth in volumes.  This is to say nothing of the way that he has crafted his entire book and voice to reflect the nature of social media; the three fading dots used as titles between poems which effect the feeling of a real time text message conversation with the poems, the creative and realistic use of internet slang, abt, bc, yr, wd, meme, tbh, tbqh, etc., even the lack of consistent punctuation creates a feeling of alternating informality, passive aggression, or sarcasm that those who are full time residents of social media apps and websites will be well familiar with.

All of these themes interlock to form a truly inspiring, captivating and most of all, relatable story of young adulthood and the struggle to find your place within a society that seems hell bent on putting you down.

Meet the blogger:
KAITLIN HATMAN is an extraterrestrial living in secret on planet earth. She is a poet and fiction writer, occasional artist, and smalltime podcaster who loves dogs and D&D. One time she met Hulk Hogan at a Perkins.

Fairy Tale Form And Structure To Jump Start Your Writing, By Cody Rogers

Fairy Tale Form And Structure To Jump Start Your Writing, By Cody Rogers

I love Fairy Tales. They have a timeless quality to them that I find charming. Whenever I’m struggling for ideas for a story (or for a blog…) I tend to see myself going back to them for inspiration. So, in the simplest way possible I thought I’d break down the structure of a fairy tale, and then offer a couple of writing prompts that I’ve either done myself or thought of using.

Disclaimer: I am no expert in Fairy Tales, and you can take parts from this list out or add some in depending on the tale. There are people way smarter than me who’ve written about this and you should check them out, but here are the basics:

Common Fairy Tale Structure:

1a. The Protagonist is given a task to complete.

1b. The Protagonist is in a bad situation out of their control.

2.The protagonist is told not to go somewhere, goes there anyway. In the case of 1a they meet the antagonist because of this, in case of 1b the antagonist is the one who told them to do it in the first place.

3. The Antagonist uses some means of deception to trick the hero into a bad / worse situation.

4. Some form of outside assistance aids the Protagonist.

5. The Protagonist gets to their goal, whatever that may be.

6 . The Protagonist and Antagonist clash, either physically, mentally or with words.

7. The Antagonist is defeated.

8. Happily Ever After

Additional Common Elements:

Magic of some kind or another

Talking or Anthropomorphic animals

A guardian, of some sort.


Class struggles (usually with the poor beating the rich or the poor becoming rich.)

Physical representations of human virtue or vice

Child protagonist vs. Adult Antagonist


Using these elements combined with the common structure, you can write your own fairy tale. But here are some additional prompts to jump start the process or shake things up a bit.

Writing Prompt #1: Mix It Up

To create something new and different, play around with a rigid structure like a fairy tale. I find that if you just change the anticipated order of events  around, even a little bit, it has a significant impact on the flow of the story. It’s challenging but the final work should be interesting, and entertaining to read.  

Writing Prompt #2: Villain’s Perspective

Done in movies like Mirror Mirror, but write your fairy tale again. This time from the antagonist’s perspective. There is an old saying that goes “Every villain is the hero in their mind.” So writing the story from their perspective will help you create a rounded, interesting and perhaps even sympathetic antagonist when you’re ready to revise your piece.

Writing Prompt #3: The Shape of Your Story  

I read an interesting article a few years ago, plotting out some of the most well-known types of stories and graphing them based on the characters level of happiness at the time. There were some fascinating results. So this prompt is inspired by that. Take a piece of writing you’ve done, and graph the mood of the main character like you would a math problem. The X-axis being time, and the Y-axis being the character. If the character is happy, good or in a beneficial situation the graph goes up. If the character is unhappy, bad or in a detrimental situation, then the graph goes down. In the end, take a look at the shape. Does it have hills and valleys? A sharp increase or decrease? Visualizing might prove useful for future revision.

Meet the blogger:
CODY ROGERS is a fiction writer, gamer, anime fan and an overall “nerd” personified. He graduated with an AFA in creative writing from Normandale Community College and obtained his BFA from Hamline University. His dream is to team up with an artist and write graphic novels.

What Happens When A Man Falls From The Sky, by Lesley Nneka Arimah, Reviewed by Chavonn Williams Shen

What Happens When A Man Falls From The Sky

Lesley Nneka Arimah

Penguin Random House

April 2017

ISBN 0735211027



When I was first given the task to write a book review for Lesley Arimah’s What Happens When a Man Falls From the Sky, I excitedly accepted, as Lesley had been my mentor from my very first writing fellowship and I was familiar with her and her work. When it came time to actually write the review, I procrastinated extensively, because I knew I would have to take notes, many of which would likely be in the book, but mostly because I was afraid to ruin its magic. Reading this book is enchanting in its truest definition. I finished it at such a speed that I really did feel bewitched, which is a fitting adjective given its content.

This collection’s dexterity is on full display as of technicality meets emotion in each stories. She covers a myriad of topics with a deceptive ease that I’m inclined to compare it with Athena’s creation where she sprung fully formed from Zeus’s head. Such are the skills of an excellent writer.  

I am a poet by profession, therefore I tend read fiction like a poet and Lesley writes fiction like a good poet. She has a careful ear for sound, especially for some of the more fantastical stories. The musicality of it all just adds another layer of magic when read aloud, especially since this aspect is often neglected in fiction.

Another poetic device observed in her work is the sudden turn towards the end. Lesley doesn’t do the proverbial exposition-action-resolution formula. Instead she ditches Freytag’s pyramid in favor of her own structure in which the climax functions as both the highest point of tension and the ending. This volta, for lack of better word, works best when story’s conflict is introduced right away, thus keeping the story’s frenzy throughout. This stories within held my attention hostage and only released it when I could no longer stay awake. It’s really that good.

Surely the star of the collection is “Who Will Greet You at Home” where joy is used as currency and living ragdolls are commonplace.  In this story, a lonely woman creates a child from scraps of hair with horrific results. The ending is satisfyingly sinister, but in a way that leaves no loose ends rather than promoting further terror. In a similar fashion, her other stories are so tightly written that when I am in want for the inner workings on how Ike’s dead mother stepped out of a photograph and into a mattress store (“Second Chances”), or for more details about the ant god’s and river god’s pasts (“What Is a Volcano?”), I know I ask selfishly and not because of anything missing on the writer’s part.

What Happens When a Man Falls From the Sky is a rare find that balances culture, mortality, and illusion in ways that are both accessible and captivating.  Writers of all genres beware – Lesley Arimah is one to watch.

Meet the blogger:
CHAVONN WILLIAMS SHEN was the winner for the 2018 Beecher’s Magazine poetry contest judged by Ely Shipley and a first place winner for the 2017 Still I Rise grant for African American women. She was also a 2017 Best of the Net Award finalist, a 2017 Pushcart Prize nominee, and a 2016 fellow through the Givens Foundation for African American Literature. Her poetry has appeared or is forthcoming in The Indianapolis Review, Burningword Literary Journal, Aquifer: The Florida Review Online, and other publications.

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